You’ll be tough pushed to discover everyone as confident of them selves as John Mayer. The American singer-songwriter’s position amid modern-day music’s most preferred artists is partly the end result of his ability to produce remarkably relatable, heartfelt lyrics and fantastic pop melodies, employing the sort of precision guitar-participating in usually reserved for blues and country rock musicians. But the main ingredient of his accomplishment is his audacious self-confidence and artistic daredevilry, which usually sees him go still left when everyone else goes suitable.
On Mayer’s eighth album, ‘Sob Rock’, his initially due to the fact 2017’s ‘The Look for For Everything’, the nimble-fingered rocker’s inclination to buck conformity takes centre stage once much more. Opting to throw it again to the ‘70s and ‘80s, in its place of chasing today’s sonic traits, Mayer puts break up new music in a retro spin cycle, channelling yacht rock heroes this sort of as Corridor & Oates, Foreigner and Michael McDonald.
Album opener ‘Last Practice Home’ plays like a companion piece to Toto’s ‘Africa’, with its weighty kick drum and intoxicating synth stabs conjuring up visions of ‘80s Tom Cruise movies it delivers the best soundtrack to sip tequila to although nursing write-up-breakup blues. When ‘Wild Blue’ sees Mayer pick up exactly where the rhythm portion of Dire Straits’ ‘Sultans Of Swing’ remaining off, as he insists: “I identified myself when I lost you.”
Not held hostage by 1 individual genre, ‘Sob Rock’ supplies a blended bag of appears – often even on the same observe. Mayer blends artwork rock and bluegrass on ’Til The Proper A person Comes’ and dreamy, new wave pop and blue-eyed soul on ‘Carry Me Away’, although ‘All I Want Is To Be With You’ is a region and western swansong steeped in entire-hearted, passionate longing.
But Mayer shines brightest when he dips into his signature pop rock bag and pulls out a masterstroke like ‘New Light’. The just one-sided really like song’s concise and witty lyrics (“Pushing 40 in the pal zone”), which he delivers on bended knee, pairs flawlessly with its spring-loaded backdrop and experience-excellent zest.
Mayer’s willingness to poke fun at himself lends by itself properly to the satirical foundation of ‘Sob Rock’. It is by all usually means a stimulating human body of perform with enough material, but it doesn’t just take by itself way too seriously. Much less centered on his innate individuality, it is a John Mayer passion venture that toasts to the excellent old days, when musicians were being more inclined to follow instincts and thoughts than clicks and likes.
Release date: July 16
Report label: Columbia